
RED MARTIANS
The Red Man holds his honor above all else. He does not lightly offer his loyalty, as shown in the following passage narrated by John Carter.
Could you know the customs and the character of red Martians you would appreciate the depth of meaning that that simple act conveyed ... equivalent to saying, "My sword, my body, my life, my soul are yours to do with as you wish. Until death and after death I look to you alone for authority for my every act. Be you right or wrong, your word shall be my only truth. Whoso raises his hand against you must answer to my sword."
It is the oath of fealty that men occasionally pass to a Jeddak whose high character...inspired the enthusiastic love of his followers. If the recipient chooses to accept the oath, he will take the sword, press his lips to the hilt and personally buckle it on the giver's harness. Or it can be returned hilt first. If, on the other hand, the sword is handed back point first, or ignored, the oath is refused, the latter being a great insult which usually results in a duel. The oath is seldom offered unless acceptance is assured and the giver truly respects the recipient. The red man does not shake hands in greeting. He clasps the shoulder of the person he is meeting. The depth of his happiness is expressed by using two hands instead of one. The formal salute is accomplished by raising both hands to the shoulders, palms facing forward. For uncounted centuries the red man has maintained the vast atmospheric plant which is continually replenishing the thin air of Mars. This "Atmosphere Factory" is a building about four miles square with walls two hundred feet high, with walls one fifty feet thick and is impervious to assault. Even the roof is covered with five feet of glass to prevent airborn attack. John Carter, starving and near death from his long imprisonment by the green martian Warhoon horde, entered into the manufacturing plant and learned something about its operation:
This ray is separated from the other rays of the sun by means of finely adujusted instruments placed upon the roof of the huge building, three-quarters of which is used for reservoirs in which the ninth ray is stored. This product is then treated electrically, or rather certain proportions of refined electric vibrations are incorporated with it, and the result is then pumped to the five principal air centers of the planet where, as it is released, contact with the ether of space transforms it into atmosphere.
There is always sufficient reserve of the ninth ray stored in the great building to maintain the present Martian atmosphere for a thousand years, and the only fear, as my new friend told me, was that some accident might befall the pumping apparatus. The Red Man keeps the atmosphere plant operating smoothly and do this without exacting any tribute from any of the other sentient races of Mars, in fact keeping the plant a secret, possibly to prevent hostile aggressors from using it to gain control over the planet. John Carter, much later in the Barsoomian Saga, near the end of Burroughs' own life, discovered the construction of the vast atmosphere factory was conceived and nearly completed by the ancient Orovar race, the dominate white race during the time the five Martian Oceans were receding and civilization was tottering at the edge. Ho Ran Kim, Jeddak of Horz, a city thought long deserted but in fact still inhabited by a small group of Orovars, told this story to Carter in the "City of Mummies", one of four short novels in Llana of Gathol. The red man, most notably the Zodangans, also constructed the great network of canals across the arrid face of Barsoom, providing desperately needed moisture for agricultural and other purposes. These ingenious irrigation ducts are largely buried beneath the surface of the planet. Immense pumping stations along each canal transport the water collected from the polar regions across the desert areas. In farming districts a series of smaller pipes branch off at the root level, thus assuring proper moisture at all times. The technological aspects of the red martian culture include the flier, navigational devices, the ground flier, pneumatic tube transportation, magnetic lifts, and space ships capable of flying to the nearer moon. While the present day architecture cannot rival the ancient dead cities, the modern urban areas are well designed and maintained. The Red Martian scientists make use of the Eight and Ninth Rays--a form of solar energy which provides the motive force for engines and the energy by which atmosphere is synthesized. While the Red Man has minds of great intellect and insight into the mysteries of science, much of the technology which maintains the planet in a balance between life and death came from the ancient Ovovars. This prior technology has been largely forgotten or lost and as a result the Red Race relies on rather primitive weapons to conduct its wars. There are cannons, rifles, disintegrator rays and explosive devices of incredible force, but these are rarely used due to limitations, scarcity, or, as in most cases, why use an elephant gun to swat flies?
The average red martian believes in ancestor worship, though other religions abound. For a race that lives as long as a thousand years, the exploits of their ancestors takes on new meaning. Most revere their ancestors and attempt to live their lives by adhering to lofty ideals, but few are so devout that they cannot makes changes in their own lives. The religions of Barsoom are many, the majority of them being in the red culture. With the exception of Issus, described more fully under the Black Martian Culture and in Religion, only the Phandahlian god Tur, with a bible called a Turgan, seems to widely proliferate the red culture. A deeply superstitious race steeped in hoary traditions, the red martian reveres family, the sancity of womanhood, and their ancestors. The depth of this love of family is shown when a loved one dies. The Red Man reserves twenty-seven days for mourning. The governmental structures of the red races is similar to that of the green martians. A Jeddak rules over Jeds, Jeds rule over cities, lesser chieftains are below jeds. As in the case of the Green Martian all one needs to rise in power is support and a capable sword arm. Most offices are won by combat and, once seated in power, the winner appoints his own people to their posts. Each city, sometimes whole districts, have a unique written language which is not duplicated elsewhere. This marvelous contradiction of written communication and history is off-set by Burroughs' ingenious premise of a single oral tongue for the entire planet. ERB thus made it possible for his adventuresome and wide-traveling characters to roam the Barsoomian metropolitan and backwoods areas and ask directions without confusion. Vad Varo reveals that written histories of Barsoom are continuous for the last 100,000 years. Assuming the natural lifespan of the red martian, there are at least 10,000 generations for the most recent recorded histories. However, if one includes the comment John Carter made that few Martians ever attain old age, most dying by their 300th year due to war and harsh environment, the number of generations might be triple that suggested above.
The Red Man is not without a sense of the finer aspects of human existence. As John Carter notes several times in his explorations of the planet Martian painters have perfected the mural to a state of realism and beauty that captures the eye and touches the heart. Marble statues grace the homes of the wealthy. Intricate gardens are found at estates or in the cities. The Dance of Barsoom is a complex yet balanced dance form which is appreciated by devotees and observers alike. Each red martian child must learn the Dance of Barsoom, their national dance and their city dance before they are allowed to attend important social functions. Music and singing is done in soft and subdued tones, but ERB neglected to describe musical instruments in any great detail other than the unique single string instrument strapped to the forearms of dancers participating in the Dance of Barsoom. Each instrument is made of wood and is marked with the instrument's note and length of duration. Vor Daj (Synthetic) however, may give us some insight of Martian instruments by saying what they are not. Vad Varo (Master Mind) remarks upon the bugles used in Phundahlian ceremonies.
The musical expression, as well as a glimpse into the residential life of the Red Man is revealed in a passage from Thuvia:
The pleasant "kaor" of the Barsoomian greeting fell continually upon the ears of the stranger as friends and neighbours took up the duties of a new day.
The district in which he had landed was residential--a district of merchants of the more prosperous sort. Everywhere were evidences of luxury and wealth. Slaves appeared upon every housetop with gorgeous silks and costly furs, laying them in the sun for airing. Jewel-encrusted women lolled even thus early upon the carven balconies before their sleeping apartments. Later in the day they would repair to the roofs when the slaves had arranged couches and pitched silken canopies to shade them from the sun.
Strains of inspiring music broke pleasantly from open windows, for the Martians have solved the problem of attuning the nerves pleasantly to the sudden transition from sleep to waking that proves so difficult a thing for most Earth folk. With all the detail ERB provided for the Red Man of Mars, one may wonder if he was, in fact, offering a tribute to the Apache Indians he faced while a member of the Seventh Cavalry. The many similarities between the Red Barsoomian (which also extend into the more nomadic life styles of the Green Martian) and the American Indian cannot help but be noticed. In later years he penned two fine western books, The War Chief and Apache Devil, which showed the respect and admiration he felt for those one time advesaries. That the spirit of the American Indian is felt throughout the Barsoomian Saga is a fitting memorial to those ancestors who fought so long and hoplessly against the white man's invasion of their homeland. The Indian won--On Mars.
Copyright © 1982, 1996-2005 by David Bruce Bozarth. All Rights Reserved. |